So as events unfold, I was asked to have “That Serious He-Man Ball” be part of the Dominion Arts Foundation “Powerhouse Readings” in August.

Quite a thrill I must say. They’re doing a retrospective of the best plays ever written.
Kidding! Their retrospective is of plays that kinda knocked people’s socks off, and then maybe they — “disappeared”. He-Man Ball has been my most produced work, and it put me on whatever map I was on. It has a long and illustrious history. (below, from the Houston Ensemble Theatre production, 2005)

Oh, it most certainly DOES have a history…

Lots of history…

So I’m very proud and excited about the reading. To be thought about on any level is a privilege. Truly. There’ll be t talkback afterwards, and I’ll share what I know with anyone who’s curious. Robert Connor, Founder of Dominion Arts, saw the original production of He-Man in Atlanta and it stayed with him for — what? — about 25 years (or more!).
Here’s the pertinent info. Anyone’s welcome to join in.

I just love showing off all this fly PR they’ve put out there. You can usually judge projects by the PR — and right now I’m all smiles.












It feels like I’m living with that play on a daily basis. It has all the truth the real world will provide. When I die my tombstone should say “Here lies the man who wrote “B-Side Man”. Do I want all of Atlanta to listen to my play and through word-of-mouth I become an overnight sensation? Let’s just say I wouldn’t turn it down. I doubt many people can name more than one (if that) successful contemporary playwrights. I don’t need to be one of those people who have a zillion productions and takes up all the space on a theatre program listing all his productions and affliations. That’s not me. Face it. If you’ve seen any theatre in your lifetime you know there’s alotta bad plays out there. Alotta “nothing” plays out there. But if nobody is putting me in the “spectacular” category — I guess I gotta do it myself. See what Spring does? It empowers even the most UN-humble Playwrights.